"This is Thug Theatre, Baby!!!" By Shaquan Young
"This is guerilla theatre," declared Reed McCants. I was like,
"da hell?!?" It was a Saturday morning, and all I could think about
was......... nothing. I'm usually snuggled under the covers at this intolerable
hour on any given Saturday. But I had to wake up. This is what my life is
gonna be built on. So, for a cold jolt of awareness, I splashed water on my
face in the bathroom. But, my dear lord........ what was that ungodly
smell? To my left was a feces-infested potty that wreaked through the halls of
farce. Now, I can't fault the club-owners for this insanitary atrocity, but in a
Zen-like mind frame, a septic system can echo the overall karma of an
environment.
When we first got our chance to shine on the air with the
morning crew of 98.7 Kiss FM, I knew for sure we had arrived. Though,
traditionally, I'm always reluctant to tout myself has having acquired that
measure of mobility in such a premature state. Still, I felt optimistic, as
well as I did for a great level of responsibility. Waiting for over 2 hours,
my cast members' patience was starting to become antsy, as I was well-beyond
that stage. What really bemused me was the memory loss of the security
personnel. More times than I'd like to remember, me and my fellow team
members were pushed around and ordered from corner to corner. "Alright,
people.... y'all gotta move out the way if you aint on line," demanded one
security guard. I'm like, "we're not here for no damn tickets! WE are the
GUESTS!" What might be more interesting is that if we were (let's say)
Russell Simmons' Def Poets, would we have gotten that kind of treatment?
I digress, however, because I know that being humble goes a
long way. And, in this business, you have to pay your dues and eat shorts
before you can get respect. A lot of people come, and some go. In a
Darwin-like fashion, its about survival of the fittest. For sure, if you
don't already have thick skin, it will develop soon enough. Though some
people have shyed away from this organic progression. Being the
mountain-climbing goat that I am, there is virtually nothing that can stop me
on a mission. Once my path is set forth for a goal, you better roll or get
rolled on. So, when the time came for me to get put on blast (by father and
daughter McCants), I took it only as a natural transition. After all, if you
can't take constructive criticism as an actor, then get the f*** out da
business. Besides, everybody in LTG gets their spot blown sooner or later,
and I knew my opportunity was inevitable. See, I had an insecurity factor
stemming from my "fear of nakedness." Reed, equipped with the optical agility
of a hawk, spotted me out and stopped me in my tracks before I endangered my
artistic well-being. Plus, I had to get the concept of "blocking" into my
hard head. When my directors put me on blast, I gracefully held my hands out
and thanked god. I thank god for this blessing of having people that care
enough to expose the talent which breathes deep within my soul. God
communicates through people and experiences, so I feel it is my humbling duty
to place myself in a situation of humility. Stepping out in boldness, or
"being naked," as Reed would say. Besides from that, having been raised by a
family of Black women, when a sista says "be quiet",...... I shut up. Okay?
Jomo said it best,... "this is thug theatre, baby!!!"
The Beginning Of Something
Great! by Eric Thomas
“Great Comedians of Color”, finished its run at the New York
Comedy Club about three weeks ago. And I'd have to say that these last, say,
two years (I think it’s 2 for me) have really opened me up as an artist. The
experience just accelerated (God knows how many) years of continuous show biz
rejection helping me understand the amount of work it takes to make something
great and the feeling you have when you’ve made it. “Great Comedians…”, (with
the support of Reed and Keisha and of course Black Pearl, Dark, Joey, Laz,
Tawfiq, Michelle and the audiences and gang members…) turned out to be a great
show. And it was the most important experience I’ve had, just in general.
Honestly, it was off putting to be so well received by
audiences. Not saying that I was expecting some sort of terrible doom, I knew
it would be great, but you never understand before you get off stage how it’s
going to feel when the audience likes you. You pace around backstage thinking,
“I hope they like me, I hope I’m funny, I hope I’m good,” whatever. But you
never really get it. And then when you do, it’s… exciting. And I think that’s
what sums up my experiences with LTG, exciting! Around every turn, every
show, every rehearsal, every actor’s drama, it’s excitement! A rush even.
Some folks (you know who you are) jump out of planes to get a rush, we do
shows. Great ones. Well that’s my confession. Sorry it wasn’t some juicy
gossip but, we got a page for that. And if I focus, maybe I’ll end up there
too.
My Confession by Michelle Seabreeze
So
it's my turn to report on the power of The Live Theatre Gang! Monday night at
around 9 in the evening I was robbed at gun point by a man in a dark jacket, who
jumped out of a blue mini-van, with a black sheath covering his entire face.
There were other individuals in the car with him dressed in much the same way,
who watched as this young man (I could tell because his voice had not yet
matured) robbed me of my small black cloth backpack because he couldn't wait for
me to get my wallet out. They sped off
down
the street and I ran to the closest Bodega to contact my nearest and dearest,
and of course, the police. The question the cops asked me that really blew me
away was- "Could you tell if he was Black or White?" How does one answer that? A
list of a zillion different answers went whizzing through
my
mind, but all I could say was, "I'm pretty sure." My first thought: How long
will my fear and paranoia last? My worst thought: How do I not discriminate
against all brothers for the actions of a few? My after thought: How angry can
I be when I know full well the system that put them in that position, and what
options it gave them? (that's not to say that I support what they do- I just
have a partial understanding as to why.)
I
decided on Tuesday not to go on crying and blubbering about the whole thing and
go to my first L.T.G. rehearsal for Great Women of Color- somehow I knew it
would do me some good. It was, to say the least, extremely therapeutic, and
reminded me exactly what kind of family The Live Theatre Gang really was. Where
I thought I would be cowering in the corner, I found myself laughing and joking
with everyone. The new people were giving me fantastically friendly vibes, and
of course old crew members gave me nothing but love. After we read the script
and I was reminded of how talented, and intelligent, and caring, we are as a
people, my thoughts of vivid paranoia and fear were beginning to slowly fade. I
was reminded that, if I chose to be, I could be a part of a theatrical
revolutionary experiment that could
change
lives! My ideal outlook Is envisioned in this way: maybe the brother who robbed
me could gain a different perspective if ( or should I say when) The Live
Theatre Gang gains the worldwide acclaim it so deserves. But for now, the
struggle continues...
"No Script Needed" by Tawfiq
Whats
up yall. Well I have been down with L.T.G for a little while now so nothing
really surprises me anymore - especially when it comes to working with Ah-Keisha
and all the old Gang members, know what I mean. So when we came together to
work on “Great Men and Women of Color”, I “THOUGHT” I was ready. I imagined
something totally different than what Ah-Keisha had in mind. I thought it was
going to be one of those corny history lesson plays with long speeches given one
after another, but booooooooooooy was I wrong. I was like, “Aight so where’s
the monologue?” and with a swift kick in the booty I was told we had to do our
own research and write our own monologue, damn was I caught off guard. I was
like whooooooaaaaaaa what type of crazy #$%^&**!!# is this? I did not join this
theatre company to be doing no type of research - just give me the $%#!!@&*
script. Needless to say I had to do the research. To my surprise, I did a
pretty damn good job, thank God for the internet. So I hand in this monologue
with a song included knowing damn well I can’t sing, but heh what the hell. So,
Ah-Keisha goes through the monologue and makes some minor adjustments- that’s
cool, I did not graduate from college, so I knew some corrections were needed,
but damn, she took out this one funny line I had that I thought was pretty damn
funny, #@$% why not take out the song , but heh she is ”THE DIRECTOR” so what
the hell, who cares if I did hours of research. Anyway, when the cast came
together and it was all put together, I was blown away. Instead of having each
one of us read our monologues, we were pushed to actually become these
characters and interact with the other characters, so right before my eyes I see
Malcolm X kicking it with Muhammad Ali and Sgt. J. Battle, who was the first
African American cop in Harlem, kicking it with Mister Bojangles and Duke
Ellington was chilling on the A train and Langston Hughes was having a debate
with Countee Cullen - it was truly amazing. It was the best history lesson I
had ever received. This was one of the best productions I have ever been apart
of. Not only was I proud of the work I had done, but everyone else had given
the same effort and it came to life on the stage. So I thank the cast members
and Reed and Ah-Keisha for constantly challenging us and pushing us to be all
we can be. You don’t have to be in the army to be ALL YOU CAN BEEEEEE just join
LLLLLLL .TTTTTTT.GGGGGGG!! Hah you like that huh? So what is the lesson
learned today children? The lesson is, when you come to rehearsal don’t always
look for a @!!%^&* script, be prepared to work and YOU will be challenged. And
one more thing if we ever do “Great Men of Color” you better beware, because
with Reed’s blessing, there will be a slight change in the line up. I will
introduce you to (cosi ama cosi), King of Kings, the one and only king of the
GREAT AFRICAN ZULU NATION “SHAKA”, so beware the king is coming!
"Gang Confession" by
Charlene Gonzalez
I have been "in the
business" a long time and have done soooooo many shows that I can't put them all
on my resume, but this experience was indeed different.
I had sent my
headshot and resume awhile back for "cafe millennium" and they had finally
called me to audition for "Sista Scrooge", so I did. They were really nice and
for the first time, I felt comfortable at my audition. Feeling comfortable led
to a very good audition. I nailed the monologue and song (I felt) and I got the
call the next day.
I had never been in
a theatre co. so it was new to me, but what was also new to me was someone like
Ah-Keisha, she was like no other director I have ever encountered. In the time I
had spent rehearsing Ah-Keisha challenged me as an actress and made me look
within myself. I played Mrs. Fezzywig and the song just wasn't going right, she
yelled for us to get it right, and I went home that night and was so infuriated
that I wanted to show her I can do it, I'm not lazy, and by trying to prove
something to her I found something within myself, and I developed this funny,
crazy, gospel lady.
Basically Thanks to Ah-Keisha, I learned how to dig a little deeper and become a
better actress.
That experience was a totally positive experience for me. I grew as an actress
and even though I didn't have this massive role I took that character and made
her massive. I'm so glad I got to be in that performance and I can't wait to be
in the next. Because the more you learn the more you grow.
_________________________________________________________________________
If
you're a
Gang
member,
e-mail us
your
confessions
and we
will post
them!
Be sure to
type Gang
Confessions
in the
comment
line!
More Gang
Confessions!
Post
My
Confession!