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Gang Confessions!
Ever wonder what it's like to be apart of the Gang?  Well now you can find out straight from the Actor's mouth!  Gang Confessions will allow you to hear what some of our actors, new and old, have to say about their experiences as a member of the LTG family!  It'll make you laugh, cry, question, answer and say, "Can I Join?"

"This is Thug Theatre, Baby!!!" By Shaquan Young

"This is guerilla theatre," declared Reed McCants. I was like, "da hell?!?"   It was a Saturday morning, and all I could think about was......... nothing.  I'm usually snuggled under the covers at this intolerable hour on any given Saturday.   But I had to wake up. This is what my life is gonna be built on.   So, for a cold jolt of awareness, I splashed water on my face in the bathroom.   But, my dear lord........ what was that ungodly smell? To my left was a feces-infested potty that wreaked through the halls of farce. Now, I can't fault the club-owners for this insanitary atrocity, but in a Zen-like mind frame, a septic system can echo the overall karma of an environment.

When we first got our chance to shine on the air with the morning crew of 98.7 Kiss FM, I knew for sure we had arrived.   Though, traditionally, I'm always reluctant to tout myself has having acquired that measure of mobility in such a premature state.  Still, I felt optimistic, as well as I did for a great level of responsibility.  Waiting for over 2 hours, my cast members' patience was starting to become antsy, as I was well-beyond that stage.  What really bemused me was the memory loss of the security personnel.    More times than I'd like to remember, me and my fellow team members were pushed around and ordered from corner to corner.  "Alright, people.... y'all gotta move out the way if you aint on line," demanded one security guard.   I'm like, "we're not here for no damn tickets!  WE are the GUESTS!"  What might be more interesting is that if we were (let's say) Russell Simmons' Def Poets, would we have gotten that kind of treatment?
 
I digress, however, because I know that being humble goes a long way.   And, in this business, you have to pay your dues and eat shorts before you can get respect.  A lot of people come, and some go.  In a Darwin-like fashion, its about survival of the fittest.  For sure, if you don't already have thick skin, it will develop soon enough.   Though some people have shyed away from this organic progression.  Being the  mountain-climbing goat that I am, there is virtually nothing that can stop me on a mission.  Once my path is set forth for a goal, you better roll or get rolled on.   So, when the time came for me to get put on blast (by father and daughter McCants), I took it only as a natural transition.  After all, if you can't take constructive criticism as an actor, then get the f*** out da business.  Besides, everybody in LTG gets their spot blown sooner or later, and I knew my opportunity was inevitable.  See, I had an insecurity factor stemming from my "fear of nakedness."  Reed, equipped with the optical agility of a hawk, spotted me out and stopped me in my tracks before I endangered my artistic well-being.  Plus, I had to get the concept of "blocking" into my hard head.  When my directors put me on blast, I gracefully held my hands out and thanked god.  I thank god for this blessing of having people that care enough to expose the talent which breathes deep within my soul.  God communicates through people and experiences, so I feel it is my humbling duty to place myself in a situation of humility.  Stepping out in boldness, or "being naked," as Reed would say.   Besides from that, having been raised by a family of Black women, when a sista says "be quiet",...... I shut up.  Okay?

Jomo said it best,... "this is thug theatre, baby!!!"

The Beginning Of Something Great! by Eric Thomas

“Great Comedians of Color”, finished its run at the New York Comedy Club about three weeks ago.  And I'd have to say that these last, say, two years (I think it’s 2 for me) have really opened me up as an artist.  The experience just accelerated (God knows how many) years of continuous show biz rejection helping me understand the amount of work it takes to make something great and the feeling you have when you’ve made it.  “Great Comedians…”, (with the support of Reed and Keisha and of course Black Pearl, Dark, Joey, Laz, Tawfiq, Michelle and the audiences and gang members…)  turned out to be a great show.  And it was the most important experience I’ve had, just in general. 

Honestly, it was off putting to be so well received by audiences.  Not saying that I was expecting some sort of terrible doom, I knew it would be great, but you never understand before you get off stage how it’s going to feel when the audience likes you. You pace around backstage thinking, “I hope they like me, I hope I’m funny, I hope I’m good,” whatever. But you never really get it. And then when you do, it’s… exciting. And I think that’s what sums up my experiences with LTG, exciting!  Around every turn, every show, every rehearsal, every actor’s drama, it’s excitement!  A rush even.  Some folks (you know who you are) jump out of planes to get a rush, we do shows.  Great ones.  Well that’s my confession.  Sorry it wasn’t some juicy gossip but, we got a page for that.  And if I focus, maybe I’ll end up there too.

My Confession by Michelle Seabreeze

So it's my turn to report on the power of The Live Theatre Gang! Monday night at around 9 in the evening I was robbed at gun point by a man in a dark jacket, who jumped out of a blue mini-van, with a black sheath covering his entire face. There were other individuals in the car with him dressed in much the same way, who watched as this young man (I could tell because his voice had not yet matured) robbed me of my small black cloth backpack because he couldn't wait for me to get my wallet out. They sped off

down the street and I ran to the closest Bodega to contact my nearest and dearest, and of course, the police. The question the cops asked me that really blew me away was- "Could you tell if he was Black or White?" How does one answer that? A list of a zillion different answers went whizzing through

my mind, but all I could say was, "I'm pretty sure."    My first thought: How long will my fear and paranoia last?   My worst thought: How do I not discriminate against all brothers for the actions of a few?  My after thought: How angry can I be when I know full well the system that put them in that position, and what options it gave them? (that's not to say that I support what they do- I just have a partial understanding as to why.)  

I decided on Tuesday not to go on crying and blubbering about the whole thing and go to my first L.T.G. rehearsal for Great Women of Color- somehow I knew it would do me some good. It was, to say the least, extremely therapeutic, and reminded me exactly what kind of family The Live Theatre Gang really was. Where I thought I would be cowering in the corner, I found myself laughing and joking with everyone. The new people were giving me fantastically friendly vibes, and of course old crew members gave me nothing but love. After we read the script and I was reminded of how talented, and intelligent, and caring, we are as a people, my thoughts of vivid paranoia and fear were beginning to slowly fade. I was reminded that, if I chose to be, I could be a part of a theatrical revolutionary experiment that could

change lives! My ideal outlook Is envisioned in this way: maybe the brother who robbed me could gain a different perspective if ( or should I say when)  The Live Theatre Gang gains the worldwide acclaim it so deserves. But for now, the struggle continues...

"No Script Needed" by Tawfiq

Whats up yall.  Well I have been down with L.T.G for a little while now so nothing really surprises me anymore - especially when it comes to working with Ah-Keisha and all the old Gang members, know what I mean.  So when we came together to work on “Great Men and Women of Color”, I “THOUGHT” I was ready.  I imagined something totally different than what Ah-Keisha had in mind.  I thought it was going to be one of those corny history lesson plays with long speeches given one after another, but booooooooooooy was I wrong.  I was like, “Aight so where’s the monologue?” and with a swift kick in the booty I was told we had to do our own research and write our own monologue, damn was I caught off guard.  I was like whooooooaaaaaaa what type of crazy #$%^&**!!# is this?  I did not join this theatre company to be doing no type of research - just give me the $%#!!@&* script.  Needless to say I had to do the research.  To my surprise, I did a pretty damn good job, thank God for the internet.  So I hand in this monologue with a song included knowing damn well I can’t sing, but heh what the hell.  So, Ah-Keisha goes through the monologue and makes some minor adjustments- that’s cool, I did not graduate from college, so I knew some corrections were needed, but damn, she took out this one funny line I had that I thought was pretty damn funny, #@$% why not take out the song , but heh she is ”THE DIRECTOR” so what the hell, who cares if I did hours of research.  Anyway, when the cast came together and it was all put together, I was blown away.  Instead of having each one of us read our monologues, we were pushed to actually become these characters and interact with the other characters, so right before my eyes I see Malcolm X kicking it with Muhammad Ali and Sgt. J. Battle, who was the first African American cop in Harlem, kicking it with Mister Bojangles and Duke Ellington was chilling on the A train and Langston Hughes was having a debate with Countee Cullen - it was truly amazing.  It was the best history lesson I had ever received.  This was one of the best productions I have ever been apart of.  Not only was I proud of the work I had done, but everyone else had given the same effort and it came to life on the stage.  So I thank the cast members and Reed and Ah-Keisha for constantly  challenging us and pushing us to be all we can be.  You don’t have to be in the army to be ALL YOU CAN BEEEEEE just join LLLLLLL .TTTTTTT.GGGGGGG!!  Hah you like that huh?  So what is the lesson learned today children?  The lesson is, when you come to rehearsal don’t always look for a @!!%^&* script, be prepared to work and YOU will be challenged.  And one more thing if we ever do “Great Men of Color” you better beware, because with Reed’s blessing, there will be a slight change in the line up.  I will introduce you to (cosi ama cosi), King of Kings, the one and only king of the GREAT AFRICAN ZULU NATION “SHAKA”, so beware the king is coming!

"Gang Confession" by Charlene Gonzalez

I have been "in the business" a long time and have done soooooo many shows that I can't put them all on my resume, but this experience was indeed different.

I had sent my headshot and resume awhile back for "cafe millennium" and they had finally called me to audition for "Sista Scrooge", so I did. They were really nice and for the first time, I felt comfortable at my audition. Feeling comfortable led to a very good audition. I nailed the monologue and song (I felt) and I got the call the next day.

I had never been in a theatre co. so it was new to me, but what was also new to me was someone like Ah-Keisha, she was like no other director I have ever encountered. In the time I had spent rehearsing Ah-Keisha challenged me as an actress and made me look within myself. I played Mrs. Fezzywig and the song just wasn't going right, she yelled for us to get it right, and I went home that night and was so infuriated that I wanted to show her I can do it, I'm not lazy, and by trying to prove something to her I found something within myself, and I developed this funny, crazy, gospel lady.

Basically Thanks to Ah-Keisha, I learned how to dig a little deeper and become a better actress.
That experience was a totally positive experience for me. I grew as an actress and even though I didn't have this massive role I took that character and made her massive. I'm so glad I got to be in that performance and I can't wait to be in the next. Because the more you learn the more you grow.
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